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Grateful Dead Live at Tower Theater on 1976-06-21




SET 1: The Music Never Stopped, Sugaree, Mama Tried, Brown-Eyed Women, Cassidy,
Row Jimmy, Looks Like Rain, Scarlet Begonias, Lazy Lightnin'->Supplication, Candyman, Promised Land

SET 2: The Wheel, Samson & Delilah, Help On The Way-> Slipknot!-> Franklin's Tower-> It Must Have Been The Roses, Dancin' In The Streets-> Wharf Rat-> Around &
Around, E: Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Venue Tower Theater
Location Upper Darby, PA

Source SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF
Lineage AIFF -> Samplitude Professional v11.1 -> FLAC
Transferred by Charlie Miller

Notes

Notes:
-- All disc changes are seamless
-- Thanks to Digitalrbb for the supplying and digitizing the tapes
-- Thanks to Joe B. Jones for his help pitch correcting the patch source

Reviews

Reviewer: GermanShepherd - - May 13, 2013
Subject: Nice show, some AUD
It sure sounds like the source goes from SBD to AUD about half-way through Row Jimmy, and stays there until the beginning of Promised Land. Just FYI. Otherwise, great recording as usual.
Reviewer: theWOLFE - - May 24, 2012
Subject: Drummers Delight
The whole band is really on point! What a beutiful was to roll into summer for 1976. Charlie Miller with another masterful show for the archive.

Full review:
http://www.hearthbakedtunes.com/2012/05/grateful-dead-live-at-tower-theater.html
Reviewer: grifftrain2000 - - April 24, 2012
Subject: To Spiral Light
Very funny review!
It also must be said that this is an excellent show with the great Charlie Miller putting the magic touch on. Thanks for all your work CM
Reviewer: Spiral Light of Venus - - November 21, 2011
Subject: M&MU
At the very tail end of LLR someone in the crowd can be heard calling for M&MU. This is very significant in the annals of GD history as this is actually the only known occurrence of this happening. Fortunately it was caught on tape so the moment wasn't lost for good.
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M
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Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
Grateful Dead
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Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.